Chapter Eight: See the Light Tour [Thirteen North American cities—October and November 1993]

140.     In early January 1993: drawn from Laura La Gassa, “NASA + FLUID = FUN (part 1)” (NE-Raves post, January 8, 1993); Ed Horch, “Re: NASA + FLUID = FUN (part 1)” (NE-Raves post, January 11, 1993); and Fraktur, “Re: NASA + FLUID = FUN (part 1)” (NE-Raves post, January 11, 1993)

140.     “I love hardcore, but it is stagnating as a musical form”: Laura La Gassa, “Some DJ Spew” (NE-Raves, January 11, 1993)

142.     “I heard Moby DJs” and “As I remember”: Pete Ashdown, “Re: Moby” (NE-Raves post, June 22, 1992)

143.     the one who pulled a knife on her: Charles Aaron, “Revenge of the Little Idiot” (Spin, June 2000)

145.     “techno’s crazed youth minister”: Charles Aaron, “Moby/The Prodigy, the Academy, New York City, February 13, 1993” (Spin, June 1993, p. 91)

145.     “blown away and frightened”: Moby, “A Star Is Born Again” (Details, July 1993)

145.     “Raves are basically people getting together” and “I intentionally do things”: Erik Davis, “Monsters of Techno” (Spin, March 1994)

146.     “You guys are responsible for all this rave stuff,” et al.: Dan Sicko, “Cybersonik (And the Plus 8 Sound System)” (Anti Matter, March 1992), via michael taylor, "Re: (313) Richie Hawtin<The extended mix :) >" (313, July 27, 1996)

146.     “runs around, makes weird faces”: John Lacour, "The Prodigy/Moby/Cybersonik played Chicago..." (MW-Raves post, February 8, 1993)

146.     “The Moby Show”: DJ Tiga, “DNA Recent History” (Trance 5000 [Toronto zine], March-April 1993)

147.     One thing he did not want was to call them “raves”: Philip Sherburne, liner notes to Plastikman’s Arkives (M_nus box set, 2011)

151.     “The Warp material is less brutal than the Belgian techno”: Jon Savage, “Machine Soul” (Village Voice, summer 1993)

151.     “We imagined a small audience”: Erik Morse, “Warp Records and the Birth of Popular Electronic Music: A Roundtable Discussion” (The Believer #73, July/August 2010)

153.     “Now, regarding this whole live vs. DAT debate”: Regis C Phelan, “Moby’s Post” (MW-Raves post, October 11, 1993)

154.     “If it is all on DAT”: Joe LeSesne, “MOBY Live? with AFX and Orbital -READ THIS MOBY” (alt.rave post, October 12, 1993)

154.     “Stage presence is worth nothing”: Christopher Edward Hilker, “Re: Moby's post” (alt.rave post, October 10, 1993)

155.     “look cool”: Jim Poe, “My 1993 rave adventure with Moby” (In the Mix [blog], July 18, 2013)

155.     “Why stop there?”: Jim Poe, “How I survived America’s first-ever rave tour” (In the Mix [blog], July 31, 2013)

155.     Moby began to play a little guitar: Joe LeSesne, "Moby - TechnoRocker Xtrodinaire" (NE-Raves post, November 8, 1993)

155-156.     “I THINK THAT JUDGING”: Trance 9, “MOBY SPEAKS OUT” (alt.rave post, November 4, 1993)

156.     Jim Poe was taken aside: Poe, “How I survived”

159.     “I tried moving my hands”: Amanda Nowinski, “Positively Malachy” (San Francisco Bay Guardian, 2000)

159-160.     “It’s as if even the DAT tape” and “The music’s gotten too esoteric”: Poe, “How I survived” 

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